Post by jeyon on Jun 25, 2004 9:53:27 GMT -5
Hi. I'm John from Seattle and I'm new here. I don't know why it didn't occur to me earlier to look for a COLD CASE messageboard. I guess that's why I'm not a detective. 
My favorite episode in "Boy in a Box" even tho it makes me feel depressed. Here's an analysis/review I wrote for TVTOME.com (with a minor changes):
Did anyone else feel the eerie, existential emptiness that I felt after watching "Boy in a Box"? It was partly due, I think, to the constrast-y black and white flashbacks which suggest the film noir movies that were popular back then. Partly, to the haunting background music, often with hollow or muffled effects. And especially to Ricky Nelsen's ballad, "Sweeter Than You", which accompanied the final vignette.
Even though the final vignette of each episode, when the old and departed characters make an appearance, seems to reaffirm the notion of an afterlife, this final vignette at the horse fair seemed to emphasize the irretrievable 46-year loss of that little boy. But that was one of a multitude of losses. The sister lost the biological tie she thought she had with Arnold as well as the news that she actually lost him years earlier. Adding to her poignancy was the fact (thoughtlessly pointed out to her by Scotty) of never being adopted, and, judging by the use of her maiden name, possibly never been married. Then there was the psychological scarring of the man who discovered the boy's body. And the sad fates of the two surviving playmates of Arnold's that we see: one too poor to offer the detectives anything, the other still seething over the corporal punishment he received, both sterile.
Evidently based on a real-life case, the story threads managed to come together and produce a plausible resolution--despite a certain hasty quality in the writing. The appearance of the suitcase was never explained. No apparent effort was made to find Clayton who may have been the boy's father and who performed the electroshock. And it felt as if they threw in the dental match to prove the identity of the boy when they realized they had a hole in the plot.
This show benefits from the guest actors: Samantha Eggar with an Irish accent (even tho she's too about a decade too young for the part), Jacqueline Scott as the snoopy nurse, Molly Cheek as Arnold's grown sister, Garrett Brown and Delaney Williams the aging friends of Arnold, and a charismatic Lyndon Smith as Arnold. And I'd love to see the two young actresses (Johanna Watts and Autumn Reeser) who played the young nuns work together again. Actually, I already have...many times...each time I rewatched this episode.
My favorite episode in "Boy in a Box" even tho it makes me feel depressed. Here's an analysis/review I wrote for TVTOME.com (with a minor changes):
---
Did anyone else feel the eerie, existential emptiness that I felt after watching "Boy in a Box"? It was partly due, I think, to the constrast-y black and white flashbacks which suggest the film noir movies that were popular back then. Partly, to the haunting background music, often with hollow or muffled effects. And especially to Ricky Nelsen's ballad, "Sweeter Than You", which accompanied the final vignette.
Even though the final vignette of each episode, when the old and departed characters make an appearance, seems to reaffirm the notion of an afterlife, this final vignette at the horse fair seemed to emphasize the irretrievable 46-year loss of that little boy. But that was one of a multitude of losses. The sister lost the biological tie she thought she had with Arnold as well as the news that she actually lost him years earlier. Adding to her poignancy was the fact (thoughtlessly pointed out to her by Scotty) of never being adopted, and, judging by the use of her maiden name, possibly never been married. Then there was the psychological scarring of the man who discovered the boy's body. And the sad fates of the two surviving playmates of Arnold's that we see: one too poor to offer the detectives anything, the other still seething over the corporal punishment he received, both sterile.
Evidently based on a real-life case, the story threads managed to come together and produce a plausible resolution--despite a certain hasty quality in the writing. The appearance of the suitcase was never explained. No apparent effort was made to find Clayton who may have been the boy's father and who performed the electroshock. And it felt as if they threw in the dental match to prove the identity of the boy when they realized they had a hole in the plot.
This show benefits from the guest actors: Samantha Eggar with an Irish accent (even tho she's too about a decade too young for the part), Jacqueline Scott as the snoopy nurse, Molly Cheek as Arnold's grown sister, Garrett Brown and Delaney Williams the aging friends of Arnold, and a charismatic Lyndon Smith as Arnold. And I'd love to see the two young actresses (Johanna Watts and Autumn Reeser) who played the young nuns work together again. Actually, I already have...many times...each time I rewatched this episode.
